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It's amazing what goes into making something effortless.
"No performance is a perfect performance but some performances allow for the feeling of perfection. Achieving this moment of ecstasy easily validates all the pain and struggle of the art form by taking us, and possibly our audience, for a moment to a world beyond our own."
Janie Taylor and Sébastien Marcovici in Hallelujah Junction
Photo: Faye Arthurs, David Prottas, and Amanda Hankes by Paul Kolnik.
Photo: Savannah Lowery, Ask laCour, Teresa Reichlen, Jared Angle, Sterling Hyltin, and Robert Fairchild by Paul Kolnik.
Rebecca Krohn and Amar Ramasar
Photo by Paul Kolnik.
"When you get onstage, don’t feel like you have to be perfect. It’s an art form, not a science. It’s not supposed to be perfect—it’s supposed to be joyous and thrilling."
New York City Ballet’s Jenifer Ringer
(Source: theballetblog)
Jenifer Ringer, NYCB
Who Cares?
Sections:
The Man I Love
I’ll Build a Stairway
Embraceable You
Fascinatin’ Rhythm
Who Cares?
My One and Only
Liza
I Got Rhythm
choreographer: George Balanchine
music: George Gershwin
New York City Ballet 1993
(Source: theballetblog)
NYCB Dancers
Photos by Henry Leutwyler
(Source: theballetblog)
Tiler Peck, Teresa Reichlen, Ask la Cour, Chase Finlay, and Amar Ramasar in Valentino for Peter Martins’ “Bal de Couture” Fall 2012
Photo: Paul Kolnik
NYCB
(Source: theballetblog)
Tiler Peck in Liliana Casabal for Peter Martins’ “Naïve and Sentimental Music” Fall 2009
Photo: Paul Kolnik
NYCB
(Source: theballetblog)
Gina Pazcoquin in Stella McCartney for the Peter Martins/Paul McCartney collaboration “Ocean’s Kingdom” Fall 2011
Photo: Paul Kolnik
NYCB
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